{"id":12192,"date":"2011-08-28T15:05:33","date_gmt":"2011-08-28T12:05:33","guid":{"rendered":"http:\/\/www.kayiprihtim.org\/portal\/?page_id=12192"},"modified":"2011-08-28T15:05:33","modified_gmt":"2011-08-28T12:05:33","slug":"lanetli-batinin-kotu-cadisi","status":"publish","type":"page","link":"https:\/\/www.kayiprihtim.org\/portal\/kitaplar\/lanetli-batinin-kotu-cadisi\/","title":{"rendered":"Lanetli -Bat\u0131n\u0131n K\u00f6t\u00fc Cad\u0131s\u0131-"},"content":{"rendered":"\n\n\n
LANETL\u0130 -BATININ K\u00d6T\u00dc CADISI-<\/strong><\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Yazar<\/strong><\/td>\n:<\/td>\nGregory Maguire<\/strong><\/span><\/td>\n<\/tr>\n
\u00c7eviri<\/strong><\/td>\n:<\/td>\nAysun Babacan
\nZeynep Demirs\u00fc Mazonowicz<\/span><\/td>\n<\/tr>\n
\u00d6zg\u00fcn Ad\u0131<\/strong><\/td>\n:<\/td>\nWicked<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
Yerdeniz Yay\u0131nlar\u0131
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\u00c7\u0131k\u0131\u015f Tarihi<\/strong><\/td>\n:<\/td>\nNisan, 2006<\/td>\n<\/tr>\n
Sayfa Say\u0131s\u0131<\/strong><\/td>\n:<\/td>\n566<\/td>\n<\/tr>\n
Fiyat\u0131<\/strong><\/td>\n:<\/td>\n19,50 TL<\/td>\n<\/tr>\n
ISBN No<\/strong><\/td>\n:<\/td>\n9789758989256<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n

\"\"<\/a><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Tan\u0131t\u0131m Yaz\u0131s\u0131<\/span><\/strong><\/td>\n<\/tr>\n
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Frank Baum\u2019un Oz B\u00fcy\u00fcc\u00fcs\u00fc\u2019nde Dorothy, Bat\u0131n\u0131n K\u00f6t\u00fc Cad\u0131s\u0131\u2019n\u0131 yendi\u011finde hik\u00e2yeyi sadece onun g\u00f6z\u00fcyle g\u00f6rd\u00fck. Ya kar\u015f\u0131 taraftaki esrarengiz cad\u0131? O nereden \u00e7\u0131km\u0131\u015ft\u0131? Neden bu kadar k\u00f6t\u00fcyd\u00fc? Daha do\u011frusu k\u00f6t\u00fc m\u00fcyd\u00fc? Peki ya k\u00f6t\u00fcl\u00fck nedir?Gregory Maguire\u2019\u0131n yaratt\u0131\u011f\u0131 d\u00fcnya \u00f6yle canl\u0131 ve zengin ki Oz art\u0131k o \u00e7ocuk filminde seyretti\u011fimiz Oz de\u011fil. Hayvanlar sadece konu\u015fmuyorlar, birinci s\u0131n\u0131f vatanda\u015fl\u0131k haklar\u0131 i\u00e7in m\u00fccadele ediyorlar. Munchkindlandliler orta s\u0131n\u0131f konforuna kavu\u015fmaya can atmaktalar. Teneke Adam\u2019\u0131n ast\u0131\u011f\u0131 ast\u0131k kesti\u011fi kestik. B\u00fcy\u00fcd\u00fc\u011f\u00fcnde Bat\u0131\u2019y\u0131 \u015ferriyle titreten, k\u00fc\u00e7\u00fck ye\u015fil k\u0131z \u00e7ocu\u011fu Elfaba; zeki, sinirli, hayat\u0131 boyunca yanl\u0131\u015f anla\u015f\u0131lmaya mahkum bir yarat\u0131k. \u0130yinin ve k\u00f6t\u00fcn\u00fcn do\u011falar\u0131 hakk\u0131nda i\u00e7imize nak\u015folmu\u015f t\u00fcm \u00f6nyarg\u0131lara meydan okuyor.<\/p>\n

Lanetli, Nazi Almanyas\u0131\u2019ndan Nixon Amerikas\u0131\u2019na kadar her \u015feyi ta\u015flayan muhte\u015fem bir alegori. Hakk\u0131nda \u00e7ok \u015fey s\u00f6ylenebilir; insan\u0131 yerinden oynatan bir kara mizah, edebi bir \u015f\u00f6len, iyi ve k\u00f6t\u00fc \u00fczerine derin bir felsefi \u00e7al\u0131\u015fma, Oz\u2019un gizli kalm\u0131\u015f tarihi. \u0130nsan her ayr\u0131nt\u0131dan zevk al\u0131yor ve Elfaba\u2019y\u0131 anlamaktan, ona hayranl\u0131k duymaktan kendini alam\u0131yor. Maguire\u2019\u0131n \u2018anla\u015f\u0131lmayan cani\u2019 karakterindeki ba\u015far\u0131s\u0131na diyecek yok…<\/p>\n

\u201cG\u00f6rkemli ve \u015fa\u015f\u0131rt\u0131c\u0131. Bir g\u00f6vde g\u00f6sterisi…\u201d
\nThe Chronicles of Prydain<\/strong><\/em><\/p>\n

\u201c\u0130nan\u0131lmaz bir edebi ba\u015far\u0131. Lanetli yay\u0131mland\u0131\u011f\u0131ndan beri 1.000.000 kopya sat\u0131ld\u0131. \u015eu anda ise Joe Mantello\u2019nun y\u00f6netti\u011fi bir Broadway m\u00fczikalinde yeniden hayat buluyor\u2026 \u201d
\nLos Angeles Times<\/strong><\/em><\/p>\n

\u201cKitapl\u0131\u011f\u0131n\u0131zda, L. Carroll ile J. Tolkien aras\u0131nda bir yer a\u00e7\u0131n.\u201d
\n Kirkus Reviews<\/strong><\/em><\/p>\n

\u201cMaguire bu fantastik \u00e7al\u0131\u015fmas\u0131nda iyiyi ve k\u00f6t\u00fcy\u00fc, Tanr\u0131y\u0131 ve \u00f6zg\u00fcrl\u00fc\u011f\u00fc muz\u0131r bir mizah anlay\u0131\u015f\u0131 ve g\u00fc\u00e7l\u00fc bir k\u00f6t\u00fcmserlikle; olmas\u0131 gerektirdi\u011fi gibi birle\u015ftirmi\u015f\u2026 Fantezi tutkunlar\u0131n\u0131 m\u00fcptela ediyor.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

–<\/span><\/p>\n\n\n\n
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Bat\u0131’n\u0131n K\u00f6t\u00fc Cad\u0131s\u0131 | Erkan Canan
\n<\/span><\/strong><\/td>\n<\/tr>\n
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Gregory Maguire, Lanetli adl\u0131 fantastik roman\u0131yla, Frank Baum’un Oz B\u00fcy\u00fcc\u00fcs\u00fc roman\u0131ndaki Oz \u00dclkesi’ni yeniden kurguluyor. Fakat Maguire’in bu kurgusunda, Oz B\u00fcy\u00fcc\u00fcs\u00fc’ndekinden farkl\u0131 olarak, bu \u00fclkenin k\u00f6t\u00fcleri merkeze al\u0131n\u0131r.<\/p>\n

Gregory Maguire, Lanetli adl\u0131 fantastik roman\u0131yla, Frank Baum’un Oz B\u00fcy\u00fcc\u00fcs\u00fc roman\u0131ndaki Oz \u00dclkesi’ni yeniden kurguluyor. Fakat Maguire’in bu kurgusunda, Oz B\u00fcy\u00fcc\u00fcs\u00fc’ndekinden farkl\u0131 olarak, bu \u00fclkenin k\u00f6t\u00fcleri merkeze al\u0131n\u0131r. Dolay\u0131s\u0131yla Maguire daha ba\u015ftan s\u0131k\u0131nt\u0131l\u0131, girift bir konuya, k\u00f6t\u00fcl\u00fc\u011f\u00fcn ne olup olmad\u0131\u011f\u0131 sorusuna odaklan\u0131yor. Uzun bir roman olan Lanetli’nin, hem olduk\u00e7a fazla olay \u00f6rg\u00fcs\u00fc, hem de \u00e7ok say\u0131da kahraman\u0131 var. Fakat her zaman bir ba\u015fkahraman olmas\u0131 gerekti\u011finden, Lanetli’nin ba\u015fkahraman\u0131 da Elfaba isminde, teni ye\u015fil renkte, sudan, en \u00e7ok da ya\u011fmurdan \u00f6lesiye korkan, kal\u0131plar\u0131 ve ezberleri g\u00f6rebilecek kadar zeki, kendi do\u011frular\u0131na her zaman daha \u00f6ncelik verecek kadar egosu geli\u015fmi\u015f ve roman boyunca ya\u015fad\u0131\u011f\u0131 yaln\u0131zl\u0131ktan bir an bile ac\u0131 \u00e7ekmeyen farkl\u0131 bir kad\u0131n…<\/p>\n

Lanetli, uzun bir masal, heyecan veren bir macera roman\u0131, farkl\u0131 bir d\u00fcnyan\u0131n hik\u00e2yesi olarak d\u00fc\u015f\u00fcn\u00fclebilir. Fakat yazar\u0131n bu roman\u0131n\u0131 as\u0131l \u00f6zg\u00fcn k\u0131lan y\u00f6n, kurguyu k\u00f6t\u00fcl\u00fc\u011f\u00fcn tart\u0131\u015f\u0131ld\u0131\u011f\u0131 bir alana d\u00f6n\u00fc\u015ft\u00fcrmesidir. Romanda k\u00f6t\u00fcl\u00fck, bahsetti\u011fimiz Elfaba’n\u0131n bitmek bilmez maceralar\u0131 \u00e7er\u00e7evesinden aktar\u0131l\u0131r. \u0130lk olarak Elfaba, k\u00f6t\u00fcl\u00fck kar\u015f\u0131s\u0131nda oldu\u011fu kadar iyilik kar\u015f\u0131s\u0131nda da n\u00f6tr bir hal alm\u0131\u015f gibi g\u00f6r\u00fcn\u00fcr. Fakat kurgunun devam\u0131nda bunun, n\u00f6tr bir halden \u00f6te karars\u0131zl\u0131kla ili\u015fkilendirilebilece\u011fi g\u00f6r\u00fcl\u00fcr. Maguire’in bu ilgin\u00e7 kahraman\u0131, kesin ve m\u00fckemmel olmasa bile, en az\u0131ndan m\u00fckemmele yak\u0131n klasik bireyi\/ki\u015fili\u011fi ifade etmekten \u00e7ok, ayaklar\u0131n\u0131n alt\u0131nda sa\u011flam dayanaklardan yoksun, postmodern \u00e7a\u011f\u0131n bireyi diye tabir edilen bireyi simgeler. Bunun en iyi g\u00f6stergesi, yukar\u0131da da belirtti\u011fim gibi, ki\u015fisel olarak ya\u015fad\u0131\u011f\u0131 karars\u0131zl\u0131kt\u0131r.<\/p>\n

Melez ve g\u00f6\u00e7ebe<\/strong><\/em><\/p>\n

Dolay\u0131s\u0131yla Elfaba ne iyilik konusunda, ne de k\u00f6t\u00fcl\u00fck konusunda kendini taraf g\u00f6rmez. \u00c7a\u011f\u0131n bireyinin en belirgin \u00f6zelli\u011fi olarak \u015fizofren y\u00f6nleri g\u00f6sterilir ve Elfaba’n\u0131n \u015fizofren ki\u015fili\u011fi, ayn\u0131 zamanda hem iyi, hem de k\u00f6t\u00fc olmay\u0131 m\u00fcmk\u00fcn k\u0131lar. Bu nedenle, hem g\u00fcndelik\/rutin \u015fiddete kar\u015f\u0131 \u00e7\u0131kmak, hem de \u00f6ld\u00fcrmek gibi en \u00fcst derecede \u015fiddeti kullanmak, bu ki\u015filik g\u00f6z \u00f6n\u00fcne al\u0131nd\u0131\u011f\u0131nda, m\u00fcmk\u00fcn bir harman olur. Maguire’in bu melez, g\u00f6\u00e7ebe, karars\u0131z ve asl\u0131nda kesin bir tan\u0131m\u0131 olamayacak yada asl\u0131nda her \u015feyle tan\u0131mlanabilecek bireyi, yetkin bir \u015fekilde tasvir eder.<\/p>\n

Maguire’in k\u00f6t\u00fcl\u00fck ve tabii ki iyilik- konusunda varolan \u00f6nyarg\u0131lar\u0131, ezberleri sorgulamas\u0131, enteresan bir nokta \u00fczerinden de devam eder. \u00d6rne\u011fin roman\u0131n \u00e7ocuk kahramanlar\u0131ndan Marek, \u00e7ocuk olmas\u0131na ra\u011fmen, k\u00f6t\u00fcl\u00fc\u011f\u00fc istekle, hevesle yapan biridir. Genel olarak t\u00fcm dinler ve toplumsal yorumlar, \u00e7ocu\u011fun asl\u0131nda s\u0131n\u0131rs\u0131z safl\u0131k, temiz y\u00fcreklilikle donand\u0131\u011f\u0131n\u0131 s\u00f6yler. Dolay\u0131s\u0131yla, Maguire’in \u00e7ocuk Marek’i, yapt\u0131\u011f\u0131 k\u00f6t\u00fcl\u00fckleriyle, bu dini ve toplumsal bak\u0131\u015f a\u00e7\u0131lar\u0131n\u0131 da a\u015f\u0131nd\u0131r\u0131r.<\/p>\n

‘K\u00f6t\u00fcl\u00fck nedir?’ sorusu, Lanetli s\u00f6z konusu oldu\u011funda cevaps\u0131z kal\u0131r. Burada tek, kesin bir cevap almaktan \u00f6te, buna dair farkl\u0131 yorumlara, a\u00e7\u0131l\u0131mlara giden cevaplarla kar\u015f\u0131la\u015f\u0131r\u0131z. Dolay\u0131s\u0131yla, k\u00f6t\u00fcl\u00fck mu\u011flak olmasa bile, Lanetli’nin kurgusunda bu mu\u011flakl\u0131k m\u00fcmk\u00fcn k\u0131l\u0131nm\u0131\u015ft\u0131r. K\u00f6t\u00fcl\u00fck konusunda, birbirinden farkl\u0131 yorumlar\u0131n g\u00f6stermek istedi\u011fiyse, k\u00f6t\u00fcl\u00fck olarak adland\u0131r\u0131lan \u015feyin tan\u0131mlanmas\u0131n\u0131n g\u00f6rece olabilece\u011fidir.<\/p>\n

Ger\u00e7ek k\u00f6t\u00fc kimmi\u015f?<\/strong><\/em><\/p>\n

\u00d6rne\u011fin \u015fiddet ma\u011fduru i\u00e7in, bu \u015fiddet kendisine yap\u0131lm\u0131\u015f bir k\u00f6t\u00fcl\u00fckse, \u015fiddeti uygulayan i\u00e7inse, bu, gerek\u00e7elerinin kendisine sundu\u011fu bir hakt\u0131r. Bu d\u00f6ng\u00fc, en yetkin olarak Elfaba’n\u0131n maceralar\u0131 \u00fczerine kurulur. \u00c7\u00fcnk\u00fc Elfaba, hayvanlara uygulanan \u015fiddete kar\u015f\u0131 \u00e7\u0131km\u0131\u015f, k\u00f6t\u00fc b\u00fcy\u00fcc\u00fcy\u00fc alt etmek i\u00e7in devrimci birliklere kat\u0131lm\u0131\u015ft\u0131r. Fakat yine Elfaba, Bayan Morkun\u00e7’u \u00f6ld\u00fcrerek \u015fiddete ba\u015fvurmu\u015f, ayn\u0131 zamanda k\u00f6t\u00fc de olabilmi\u015ftir. Hem iyi hem k\u00f6t\u00fc olabilmek, Elfaba’daki biyolojik melezli\u011fin, bilin\u00e7sel melezli\u011fiyle kurdu\u011fu ilgin\u00e7 ko\u015futluktur.<\/p>\n

Fakat Lanetli’nin as\u0131l k\u00f6t\u00fcs\u00fcn\u00fcn Elfaba olmad\u0131\u011f\u0131, Maguire’in fantastik kurgusunda \u00e7ok iyi g\u00f6sterilir. Burada iyilikten tamamen s\u0131yr\u0131lm\u0131\u015f olmas\u0131n\u0131n yan\u0131nda, b\u00fcy\u00fck g\u00fcc\u00fcnden de yararlanarak s\u0131n\u0131rs\u0131z k\u00f6t\u00fcl\u00fcklere ba\u015fvuran tek ki\u015fi B\u00fcy\u00fcc\u00fc’n\u00fcn kendisidir. Maguire, en g\u00fc\u00e7l\u00fc olan\u0131n en b\u00fcy\u00fck k\u00f6t\u00fcl\u00fckleri de yapaca\u011f\u0131ndan hareketle ve tabii ki g\u00fcn\u00fcm\u00fcz\u00fcn en b\u00fcy\u00fck s\u00fcper g\u00fcc\u00fcn\u00fc de at\u0131fta bulunarak, as\u0131l k\u00f6t\u00fcy\u00fc vurgular b\u00f6ylece.<\/p>\n

Lanetli’nin \u00e7ok say\u0131da olay \u00f6rg\u00fcs\u00fcnden ve ki\u015fiden olu\u015ftu\u011funu s\u00f6ylemi\u015ftim. Burada Oz \u00dclkesi, gerek sosyolojik\/k\u00fclt\u00fcrel ve gerekse ekonomik\/s\u0131n\u0131fsal y\u00f6nleriyle kapsaml\u0131 olarak kurgulanm\u0131\u015ft\u0131r. Muchkindlandliler, Quadlingler, Vinkuslar, Glikanlar, Z\u00fcmr\u00fctkentliler, Elfler ve Arjikiler, Oz \u00fclkesinin toplumsal unsurlar\u0131ndan birka\u00e7\u0131. Bu romanda en ilgin\u00e7 toplumsal s\u0131n\u0131flardan biri de ku\u015fkusuz hayvanlar. Maguire’in hayvanlar\u0131, bir fig\u00fcr olmaktan \u00f6te, konu\u015fuyor ve insanlar gibi toplumsal haklar\u0131 i\u00e7in, \u00f6rne\u011fin b\u00fcy\u00fcc\u00fcn\u00fcn getirdi\u011fi ‘Hayvanlara Hareket \u00d6zg\u00fcrl\u00fc\u011f\u00fcn\u00fc K\u0131s\u0131tlayan Yasa’ya (s. 132) kar\u015f\u0131 m\u00fccadele de ediyor. \u015eiz \u00dcniversitesi’nde Biyoloji dal\u0131nda \u00f6\u011fretim \u00fcyesi olan Dr. Dillamond’un yan\u0131nda, matematik dersi veren yaban domuzu Profes\u00f6r Lenx, tarih dersi veren maymun Mikko ve Elfaba’ya kurban edilmenin ac\u0131s\u0131n\u0131 anlatan inek, “ruh ta\u015f\u0131yan hayvanlardan” sadece birka\u00e7\u0131.<\/p>\n

Lanetli, fantastik t\u00fcr\u00fcne iyi bir \u00f6rnek. Bu farkl\u0131 d\u00fcnya, melez ve g\u00f6\u00e7ebe olan Elfaba’n\u0131n neredeyse t\u00fcm Oz \u00fclkesini kapsayan ka\u00e7\u0131\u015f\u0131yla verilir. Bu ka\u00e7\u0131\u015flar, g\u00f6\u00e7ler esnas\u0131nda, Elfaba’n\u0131n kar\u015f\u0131la\u015ft\u0131\u011f\u0131 birbirinden farkl\u0131 d\u00fcnyalar, Maguire’in masals\u0131 ak\u0131c\u0131l\u0131ktaki \u00fcslubuyla aktar\u0131l\u0131yor. Ku\u015fkusuz bu maceralar \u00e7er\u00e7evesinden izledi\u011fimiz kitap, k\u00f6t\u00fcl\u00fc\u011f\u00fc ve iyili\u011fiyle g\u00fcn\u00fcm\u00fcz d\u00fcnyas\u0131n\u0131n metaforize edilmi\u015f halidir. G\u00fcn\u00fcm\u00fczde oldu\u011fu gibi, Oz \u00fclkesinde de, insanlara\/y\u0131\u011f\u0131nlara en ac\u0131 veren \u015fey k\u00f6t\u00fcl\u00fck. Maguire’in bu eseri, en k\u00f6t\u00fcn\u00fcn ayn\u0131 zamanda en g\u00fc\u00e7l\u00fc olan oldu\u011funa yapt\u0131\u011f\u0131 vurguyla, tan\u0131mlara bo\u011fdurulan iyi ve k\u00f6t\u00fcn\u00fcn asl\u0131nda tam olarak ne olduklar\u0131na a\u00e7\u0131kl\u0131k getirmeye \u00e7al\u0131\u015f\u0131r.<\/p>\n

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Not :<\/strong><\/span> Bu yaz\u0131 2 Haziran 2006 tarihinde Erkan Canan<\/strong> taraf\u0131ndan Radikal Kitap<\/strong><\/em> i\u00e7in yaz\u0131lm\u0131\u015ft\u0131r.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

LANETL\u0130 -BATININ K\u00d6T\u00dc CADISI- Yazar : Gregory Maguire \u00c7eviri : Aysun Babacan Zeynep Demirs\u00fc Mazonowicz \u00d6zg\u00fcn Ad\u0131 : Wicked Yerdeniz Yay\u0131nlar\u0131 \u00c7\u0131k\u0131\u015f Tarihi : Nisan, 2006 Sayfa Say\u0131s\u0131 : 566 Fiyat\u0131 : 19,50 TL ISBN No : 9789758989256 Tan\u0131t\u0131m Yaz\u0131s\u0131 Frank Baum\u2019un Oz B\u00fcy\u00fcc\u00fcs\u00fc\u2019nde Dorothy, Bat\u0131n\u0131n K\u00f6t\u00fc Cad\u0131s\u0131\u2019n\u0131 yendi\u011finde hik\u00e2yeyi sadece onun g\u00f6z\u00fcyle g\u00f6rd\u00fck. Ya […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":57,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-12192","page","type-page","status-publish"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/pages\/12192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/comments?post=12192"}],"version-history":[{"count":0,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/pages\/12192\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/pages\/57"}],"wp:attachment":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media?parent=12192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}