{"id":11312,"date":"2011-08-02T00:38:34","date_gmt":"2011-08-01T21:38:34","guid":{"rendered":"http:\/\/www.kayiprihtim.org\/portal\/?p=11312"},"modified":"2011-08-02T00:38:34","modified_gmt":"2011-08-01T21:38:34","slug":"otomatik-portakal-muzikal-oluyor","status":"publish","type":"post","link":"https:\/\/www.kayiprihtim.org\/portal\/2011\/08\/02\/otomatik-portakal-muzikal-oluyor\/","title":{"rendered":"&#8220;Otomatik Portakal&#8221; M\u00fczikal Oluyor!"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/a-clokwork-orange-top.jpg\" alt=\"\" width=\"467\" height=\"180\"><\/p>\n<p>&#8220;<em>Uqueer as as clockwork orange<\/em>&#8221; Olabilecek en y\u00fcksek derecede gariplikleri bar\u0131nd\u0131ran ki\u015fi: <strong>Otomatik Portakal<\/strong>&#8230;<\/p>\n<p>Arka kapak yaz\u0131s\u0131nda \u00f6zg\u00fcr iradenin irdeleni\u015fi olarak tan\u0131mlanan <strong>Otomatik Portakal<\/strong>, bilindi\u011fi \u00fczere bilimkurgunun temel ta\u015flar\u0131ndan biridir. Kara mizah anlay\u0131\u015f\u0131yla, gelece\u011fin sert bir portresini \u00e7izen bu eser; asl\u0131nda <em>distopik <\/em>neslin var olma m\u00fccadelesidir. Bu m\u00fccadeleyi g\u00fcn\u00fcm\u00fczden ay\u0131ran en \u00f6nemli ve tek unsur ise, var olma amac\u0131n\u0131 ta\u015f\u0131yan m\u00fccadelenin; <em>yok etmeye<\/em> dayal\u0131 olmas\u0131. Hukuk ve kurallar\u0131n olmad\u0131\u011f\u0131 bir d\u00fcnyada h\u00fck\u00fcm s\u00fcren &#8220;zamane gen\u00e7leri&#8221;nden biri olan <em>Alex<\/em>&#8216;i konu alan roman, ad\u0131m ad\u0131m ilerledi\u011fimiz gelece\u011fi t\u00fcm \u00e7\u0131plakl\u0131\u011f\u0131 ile g\u00f6zlerimizin \u00f6n\u00fcne seriyor. Kitab\u0131n yazar\u0131 <em><strong>Anthony Burgess<\/strong><\/em>&#8216;\u0131n, kaleminde hi\u00e7 taviz vermedi\u011fi sat\u0131rlar\u0131 kiminizi deh\u015fete d\u00fc\u015f\u00fcrebilir ancak; &#8220;dilsel bir deney&#8221; olan eser bir\u00e7ok okuru mest etti. Nitekim \u015fiddet ve argoyla beslenen bu kitap, Pavlov kanunlar\u0131n\u0131 sizlere \u00f6\u011fretiyor. Ve en sonunda ise &#8220;medeni&#8221; insan\u0131n ne denli vah\u015file\u015febilece\u011fini g\u00f6steriyor.<\/p>\n<p>\u015eimdi de, 1962 y\u0131l\u0131nda yay\u0131mlanan,<em><strong> Anthony Burgess<\/strong><\/em>&#8216;\u0131n \u00e7ok okunan distopik eseri <strong>Otomatik Portakal<\/strong> aram\u0131za m\u00fczikal olarak d\u00f6n\u00fcyor. Yay\u0131mlan\u0131\u015f\u0131 uluslararas\u0131 \u00e7apta ses getiren ve defalarca yasaklanmaya \u00e7al\u0131\u015f\u0131lan bu roman, halen daha bilimkurgu\/distopya eserlerinin aras\u0131nda k\u00fcltl\u00fc\u011f\u00fcn\u00fc koruyor.<\/p>\n<p>Usta y\u00f6netmen<em><strong> Stanley Kubrick<\/strong><\/em> arac\u0131l\u0131\u011f\u0131yla 1971&#8217;de beyazperdeye aktar\u0131lan; bunun ard\u0131ndan 1980&#8217;lerde yine kitab\u0131n yazar\u0131 <em><strong>Anthony Burgess<\/strong><\/em> taraf\u0131ndan m\u00fczikal olarak olarak d\u00fczenlenen eser, 50. y\u0131l d\u00f6neminde (2012) ilk kez \u0130ngiltere de g\u00f6sterime girecek. Manchester&#8217;da seyirciyle bulu\u015facak olan m\u00fczikalin \u015fark\u0131 s\u00f6zlerini de Anthony Burgess yazm\u0131\u015ft\u0131.<\/p>\n<p>&#8220;<em>Uluslararas\u0131 Anthony Burgess Vakf\u0131<\/em>&#8221; y\u00f6neticisi <em>Dr. Andrew Biswell<\/em>, uzun zaman aradan sonra <em><strong>Burgess<\/strong><\/em>&#8216;\u0131n roman\u0131n\u0131n yeniden uyarlanmas\u0131n\u0131n nedeninin, bu eserin <em><strong>Burgess<\/strong><\/em>&#8216;a ait oldu\u011funun vurgulanmak istenmesi oldu\u011funu belirtti. Orijinal eserde de belirtildi\u011fi gibi; m\u00fczi\u011fin duygular\u0131n aktar\u0131lmas\u0131nda \u00f6nemli bir yer tuttu\u011funu s\u00f6yleyen <em>Biswell<\/em>; bu m\u00fczikalin, bir bak\u0131ma eserin ilk halinin yeniden g\u00f6zden ge\u00e7irilmi\u015fi olaca\u011f\u0131n\u0131 anlatt\u0131.<\/p>\n<p>Ayr\u0131ca 50. y\u0131ld\u00f6n\u00fcm\u00fc etkinlikleri \u00e7er\u00e7evesinde; kost\u00fcmlerin, silinmi\u015f sahnelerin foto\u011fraflar\u0131n\u0131n, set foto\u011fraflar\u0131 ve kullan\u0131lmam\u0131\u015f sanat \u00e7al\u0131\u015fmalar\u0131n\u0131n yer alaca\u011f\u0131 filmle ilgili bir sergi, Manchester&#8217;daki John Rylands K\u00fct\u00fcphanesinde sanatseverlerle bulu\u015facak.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Uqueer as as clockwork orange&#8221; Olabilecek en y\u00fcksek derecede gariplikleri bar\u0131nd\u0131ran ki\u015fi: Otomatik Portakal&#8230; Arka kapak yaz\u0131s\u0131nda \u00f6zg\u00fcr iradenin irdeleni\u015fi olarak tan\u0131mlanan Otomatik Portakal, bilindi\u011fi \u00fczere bilimkurgunun temel ta\u015flar\u0131ndan biridir. Kara mizah anlay\u0131\u015f\u0131yla, gelece\u011fin sert bir portresini \u00e7izen bu eser; asl\u0131nda distopik neslin var olma m\u00fccadelesidir. Bu m\u00fccadeleyi g\u00fcn\u00fcm\u00fczden ay\u0131ran en \u00f6nemli ve tek unsur [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[80,69],"tags":[912,910,9204,716,909,911],"class_list":{"0":"post-11312","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-bilim-kurgu","7":"category-etkinlik","8":"tag-a-clockwork-orange","9":"tag-anthony-burgess","10":"tag-bilim-kurgu","11":"tag-distopya","12":"tag-otomatik-portakal","13":"tag-stanley-kubrick"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/11312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/comments?post=11312"}],"version-history":[{"count":0,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/11312\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media?parent=11312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/categories?post=11312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/tags?post=11312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}