{"id":13518,"date":"2011-11-21T11:07:25","date_gmt":"2011-11-21T09:07:25","guid":{"rendered":"http:\/\/www.kayiprihtim.org\/portal\/?p=13518"},"modified":"2011-11-21T11:07:25","modified_gmt":"2011-11-21T09:07:25","slug":"notosta-ihsan-oktay-anar","status":"publish","type":"post","link":"https:\/\/www.kayiprihtim.org\/portal\/2011\/11\/21\/notosta-ihsan-oktay-anar\/","title":{"rendered":"Notos&#8217;ta \u0130hsan Oktay Anar!"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/NOTOS-30.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/NOTOS-30.jpg\" alt=\"\" width=\"287\" height=\"399\"><\/a><\/p>\n<p>Edebiyat\u0131m\u0131z\u0131n \u00f6nde gelen dergilerinden Notos, Ekim-Kas\u0131m, 30. say\u0131s\u0131n\u0131n kapak konusunu <strong>\u0130hsan Oktay Anar<\/strong> olarak belirledi. Yeni T\u00fcrk edebiyat\u0131n\u0131n en \u00f6zg\u00fcn, en s\u0131rad\u0131\u015f\u0131 ve belki de anla\u015f\u0131lmas\u0131 en zor yazarlar\u0131 aras\u0131nda ilk akla geleni \u0130hsan Oktay Anar. \u00dcstelik gitgide \u00e7o\u011falan okurlar\u0131yla s\u00fcrekli g\u00fcndemde olu\u015fu, \u0130hsan Oktay Anar \u00fcst\u00fcne daha \u00e7ok d\u00fc\u015f\u00fcnmeyi gerektiriyor. Notos\u2019un bu say\u0131s\u0131nda haz\u0131rlad\u0131\u011f\u0131 kapsaml\u0131 dosya, \u0130hsan Oktay Anar\u2019\u0131n yap\u0131tlar\u0131n\u0131n daha iyi anla\u015f\u0131lmas\u0131 i\u00e7in nitelikli bir ilk ad\u0131m atmay\u0131 ama\u00e7l\u0131yor. Dosyada <strong><em>G\u00fcrsel Korat, O\u011fuz Demiralp, Handan \u0130nci, Semih G\u00fcm\u00fc\u015f, A. \u00d6mer T\u00fcrke\u015f, Ak\u0131n Tek, Asuman Kafao\u011flu-B\u00fcke, \u0130nan \u00c7etin, Faruk Duman<\/em><\/strong> ve <strong><em>Burcu Alkan<\/em><\/strong>\u2019\u0131n yaz\u0131lar\u0131 yer al\u0131yor.<\/p>\n<p>Notos\u2019un bu say\u0131s\u0131n\u0131n s\u00f6yle\u015fisi de g\u00f6z \u00f6n\u00fcnde olmay\u0131 tercih etmeyen <strong>\u0130hsan Oktay Anar<\/strong> ile: \u201cHi\u00e7bir konunun bir ba\u015fka konudan \u00f6nemli olmad\u0131\u011f\u0131na inan\u0131r\u0131m. M\u00fczik, denizcilik yahut mekanik.\u201d<\/p>\n<p>Notos&#8217;un s\u00fcrekli yazarlar\u0131ndan <em><strong>Enis Batur<\/strong><\/em> bu say\u0131da &#8220;<span style=\"text-decoration: underline;\">Kad\u0131n\u0131n Ev(ler)i<\/span>&#8220;ni yazd\u0131. <em><strong>Murathan Mungan<\/strong><\/em> da \u201c<span style=\"text-decoration: underline;\">K\u00e2\u011f\u0131t Gemiler<\/span>\u201d ile yaz\u0131lar\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor. <em><strong>Alev Bulut<\/strong><\/em>\u2019un \u201c<span style=\"text-decoration: underline;\">K\u0131sa \u00d6yk\u00fcde ve Romanda Ki\u015file\u015ftirme: Blonde ve B\u00fct\u00fcn Marilyn\u2019ler<\/span>\u201d adl\u0131 yaz\u0131s\u0131<em> Joyce Carol Oates<\/em>\u2019un roman ve \u00f6yk\u00fclerindeki kad\u0131n karakterlerin olu\u015fturdu\u011fu ki\u015file\u015ftirme gruplar\u0131n\u0131 \u00e7\u00f6z\u00fcml\u00fcyor.<\/p>\n<p>Edebiyat\u0131m\u0131zda pek benzeri olmayan \u201c\u00fctopya\u201d ve \u201ckara\u00fctopya\u201d t\u00fcr\u00fcndeki yeni roman\u0131 \u0130ndiragandi ile son zamanlarda ilgi \u00e7eken <em><strong>Cem Sancar<\/strong><\/em>, okurlar\u0131n ve yeni yazarlar\u0131n okumas\u0131n\u0131 zorunlu g\u00f6rd\u00fc\u011f\u00fc kitaplar\u0131, nedenleriyle birlikte Notos\u2019a anlatt\u0131.<\/p>\n<p>G\u00fcnlerin Getirdi\u011fi b\u00f6l\u00fcm\u00fcnde T\u00fcrkiye\u2019de son y\u0131llarda yayg\u0131nla\u015fmaya ba\u015flayan manga ve manga yay\u0131nc\u0131l\u0131\u011f\u0131 \u00fcst\u00fcnde duruluyor. Manga yay\u0131mlayan az say\u0131daki yay\u0131nevlerinden <em>Arunas, Gerekli \u015eeyler<\/em> ve <em>Tudem-Desen<\/em> manga k\u00fclt\u00fcr\u00fcne ili\u015fkin sorular\u0131 yan\u0131tlad\u0131.<\/p>\n<p>Bu say\u0131da \u00f6yk\u00fcleri olan yazarlar da \u015funlar: <em><strong>Vladimir Nabokov, Nursen Karas, Dilek Emir, Kerem I\u015f\u0131k, Hakan Erg\u00fcl, Bahri Vardarl\u0131lar, Raika Ejder, Emine Y\u0131lmaz, Serkan T\u00fcrk, \u00d6zge K\u0131l\u0131\u00e7o\u011flu, G\u00f6khan Y\u0131lmaz, G\u00fcl Temur<\/strong><\/em>.<\/p>\n<p>Notos&#8217;un bu say\u0131s\u0131n\u0131 ka\u00e7\u0131rmay\u0131n!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Edebiyat\u0131m\u0131z\u0131n \u00f6nde gelen dergilerinden Notos, Ekim-Kas\u0131m, 30. say\u0131s\u0131n\u0131n kapak konusunu \u0130hsan Oktay Anar olarak belirledi. Yeni T\u00fcrk edebiyat\u0131n\u0131n en \u00f6zg\u00fcn, en s\u0131rad\u0131\u015f\u0131 ve belki de anla\u015f\u0131lmas\u0131 en zor yazarlar\u0131 aras\u0131nda ilk akla geleni \u0130hsan Oktay Anar. \u00dcstelik gitgide \u00e7o\u011falan okurlar\u0131yla s\u00fcrekli g\u00fcndemde olu\u015fu, \u0130hsan Oktay Anar \u00fcst\u00fcne daha \u00e7ok d\u00fc\u015f\u00fcnmeyi gerektiriyor. Notos\u2019un bu say\u0131s\u0131nda haz\u0131rlad\u0131\u011f\u0131 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[208,1,81],"tags":[1093,1091,757,1089,657,1090,158,1092],"class_list":{"0":"post-13518","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-cizgianime","7":"category-diger","8":"category-yazar","9":"tag-arunas","10":"tag-enis-batur","11":"tag-gerekli-seyler","12":"tag-ihsan-oktay-anar","13":"tag-murathan-mungan","14":"tag-notos","15":"tag-tudem-yayinlari","16":"tag-utopya"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/13518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/comments?post=13518"}],"version-history":[{"count":0,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/13518\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media?parent=13518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/categories?post=13518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/tags?post=13518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}