{"id":17545,"date":"2012-06-21T22:17:51","date_gmt":"2012-06-21T19:17:51","guid":{"rendered":"http:\/\/www.kayiprihtim.org\/portal\/?p=17545"},"modified":"2012-06-21T22:17:51","modified_gmt":"2012-06-21T19:17:51","slug":"metro-2034-raflarda","status":"publish","type":"post","link":"https:\/\/www.kayiprihtim.org\/portal\/2012\/06\/21\/metro-2034-raflarda\/","title":{"rendered":"“Metro 2034” Raflarda"},"content":{"rendered":"

\"\"<\/p>\n

Artyom\u2019un kara derililer ile ge\u00e7irdi\u011fi g\u00fczel g\u00fcnlerin ard\u0131ndan 1 y\u0131l, \u00f6l\u00fcmc\u00fcl f\u00fczelerin Moskova \u00fczerine ate\u015flenip B\u00fcy\u00fck Metro giri\u015finden son kez insan al\u0131narak kap\u0131lar\u0131n m\u00fch\u00fcrlenmesinin ard\u0131ndan 21 y\u0131l ge\u00e7ti…<\/p>\n

Bir \u00e7ok efsaneye malzeme olmu\u015f Moskova metrolar\u0131 \u00e7o\u011fu ki\u015finin kula\u011f\u0131na uzanm\u0131\u015ft\u0131r. B\u00fcy\u00fckl\u00fc\u011f\u00fc ve mimari yap\u0131s\u0131 ile herkesi \u015fa\u015f\u0131rtm\u0131\u015ft\u0131r. Adeta bir yer alt\u0131 \u015fehri olabilecek durumdad\u0131r ki Metro 2033<\/strong><\/em><\/a>\u2019\u00fc oynam\u0131\u015f veya okumu\u015f olanlar bilir ki Dmitry<\/em> bu d\u00fc\u015f\u00fcnceyi gayet g\u00fczel bir \u015fekilde kaleme alm\u0131\u015ft\u0131r.<\/p>\n

Apocalyptic ve mutant kelimelerini bir arada duymak art\u0131k bir \u00e7ok ki\u015finin y\u00fcz\u00fcn\u00fc buru\u015ftursa da Metro serisine \u00f6nyarg\u0131 ile bak\u0131lmamas\u0131 gerekti\u011fini belirtmek isteriz. Benzerlerine g\u00f6re Metro serisi saf aksiyon i\u00e7ermek yerine \u00e7o\u011funlukla k\u0131yamet sonras\u0131 istasyonlarda ya\u015fayan bireylerin sosyolojik durumlar\u0131na odaklan\u0131yor. Oyunda bu pek belli olmasa da kitaplar\u0131nda a\u00e7\u0131k\u00e7a g\u00f6r\u00fclebiliyor. Hatta bu t\u00fcr kar\u015f\u0131la\u015ft\u0131rmalara pek s\u0131cak bakmasak da Dmitry Glukhovsky<\/strong><\/em> i\u00e7in apokalipti\u011fin Asimov<\/em>\u2019u olmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 ve nerdeyse b\u00fcy\u00fck usta kadar g\u00fczel bir i\u015f \u00e7\u0131kard\u0131\u011f\u0131n\u0131 s\u00f6yleyebiliriz.<\/p>\n

Metro 2034<\/strong><\/span> ise uzun s\u00fcrenin ard\u0131ndan sonunda raflarda. Hikaye Asl\u0131 Ulu\u015fahin<\/em> edit\u00f6rl\u00fc\u011f\u00fcnde ve Deniz Bano\u011flu<\/em> \u00e7evirisiyle kald\u0131\u011f\u0131 yerden devam ediyor!<\/p>\n

Artyom\u2019un u\u011fra\u015flar\u0131na ve feda ettiklerine ra\u011fmen metronun ma\u011faralar\u0131nda gezinen k\u00f6t\u00fcl\u00fck yok edilmi\u015f de\u011fil. Metro\u2019nun \u00f6b\u00fcr yakas\u0131ndaki Sevastopolskaya \u0130stasyonu yard\u0131m bekliyor. Oraya giden kervanlara ne oldu\u011funu kimse bilmiyor. Yard\u0131ma g\u00f6nderilen, gen\u00e7 Ahmet, kimli\u011fini bilmeyen ac\u0131mas\u0131z avc\u0131 Hunter, \u00f6l\u00fcms\u00fczl\u00fc\u011f\u00fc hik\u00e2yesinde arayan ihtiyar tarih\u00e7i Homer\u2019den olu\u015fan k\u00fc\u00e7\u00fck bir birlik. Ve onlara yolda kat\u0131lan Sa\u015fa… Metro, onlar\u0131n kaderini bir araya getirdi.<\/p>\n

Onlar insanl\u0131\u011f\u0131 kurtarabilecek mi?<\/p>\n

Yolculuk devam ediyor.<\/p>\n

G\u00fcrer Yay\u0131nlar\u0131<\/em>\u2019ndan \u00e7\u0131kan kitab\u0131n k\u00fcnye ve tan\u0131t\u0131m bilgileri i\u00e7in buraya<\/strong><\/a> t\u0131klayabilirsiniz.<\/p>\n","protected":false},"excerpt":{"rendered":"

Artyom\u2019un kara derililer ile ge\u00e7irdi\u011fi g\u00fczel g\u00fcnlerin ard\u0131ndan 1 y\u0131l, \u00f6l\u00fcmc\u00fcl f\u00fczelerin Moskova \u00fczerine ate\u015flenip B\u00fcy\u00fck Metro giri\u015finden son kez insan al\u0131narak kap\u0131lar\u0131n m\u00fch\u00fcrlenmesinin ard\u0131ndan 21 y\u0131l ge\u00e7ti… Bir \u00e7ok efsaneye malzeme olmu\u015f Moskova metrolar\u0131 \u00e7o\u011fu ki\u015finin kula\u011f\u0131na uzanm\u0131\u015ft\u0131r. B\u00fcy\u00fckl\u00fc\u011f\u00fc ve mimari yap\u0131s\u0131 ile herkesi \u015fa\u015f\u0131rtm\u0131\u015ft\u0131r. Adeta bir yer alt\u0131 \u015fehri olabilecek durumdad\u0131r ki Metro […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[80],"tags":[662,1422,1423,1424,1425,1123],"class_list":{"0":"post-17545","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-bilim-kurgu","7":"tag-asimov","8":"tag-asli-ulusahin","9":"tag-deniz-banoglu","10":"tag-dmitry-glukhovsky","11":"tag-gurer-yayinlari","12":"tag-isaac-asimov"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/17545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/comments?post=17545"}],"version-history":[{"count":0,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/17545\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media?parent=17545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/categories?post=17545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/tags?post=17545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}