{"id":42883,"date":"2015-06-14T14:03:59","date_gmt":"2015-06-14T11:03:59","guid":{"rendered":"http:\/\/www.kayiprihtim.org\/portal\/?p=42883"},"modified":"2015-06-14T14:08:47","modified_gmt":"2015-06-14T11:08:47","slug":"sabitfikirde-bu-ay-kahramanin-yukselisi","status":"publish","type":"post","link":"https:\/\/www.kayiprihtim.org\/portal\/2015\/06\/14\/sabitfikirde-bu-ay-kahramanin-yukselisi\/","title":{"rendered":"SabitFikir’de Bu Ay: “Kahraman\u0131n Y\u00fckseli\u015fi”"},"content":{"rendered":"

\"sabitfikir52\"<\/p>\n

SabitFikir<\/a><\/em><\/span>‘in 52. say\u0131s\u0131ndan (Haziran 2015<\/span>)<\/em> haberdar olmayanlar haberimize odaklans\u0131nlar, zira bu ay dergide \u015fahane bir dosya konusu var!<\/strong><\/span><\/p>\n

\u0130thaki Yay\u0131nlar\u0131<\/em> kadrosunda yer alan Yank\u0131 Enki<\/strong>‘nin kaleme ald\u0131\u011f\u0131 dosyan\u0131n ad\u0131 \u201cGen\u00e7 Kahraman\u0131n Y\u00fckseli\u015fi: Apokaliptik ve Politik<\/span>\u201d<\/strong><\/p>\n

Enki<\/strong> bu \u00e7al\u0131\u015fmas\u0131nda distopik<\/em> ve post apokaliptik<\/em> kurgular\u0131 merkezine oturtuyor\u00a0ve bu anlat\u0131lar \u00fczerinden gen\u00e7lerin duru\u015funu irdeliyor. \u201cBu eserler, hep apolitik olmakla ele\u015ftirilen gen\u00e7 ku\u015fa\u011f\u0131n politik bir duru\u015f sergilemeye ba\u015flad\u0131\u011f\u0131n\u0131 g\u00f6steriyor olabilir mi?\u201d<\/em>\u00a0sorusuna yan\u0131t arayan Enki<\/strong><\/em>, bu alandaki birikimini biz okurlara sunuyor.<\/p>\n

Dosya edit\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00fcstlenen Yank\u0131 Enki,<\/strong>\u00a0\u00a0SabitFikir<\/strong><\/em>‘in bu say\u0131s\u0131nda\u00a0ba\u015fka hangi sorulara cevap bulmaya \u00e7al\u0131\u015f\u0131yor dersiniz? \u015e\u00f6yle k\u0131saca g\u00f6z atal\u0131m:<\/p>\n

A\u00e7l\u0131k Oyunlar\u0131, Uyumsuz, Labirent, K\u0131z\u0131l Y\u00fckseli\u015f, Kurucunun K\u0131z\u0131<\/em>\u00a0ya da\u00a0Ender\u2019in Oyunu<\/em>\u00a0gibi kitaplar ve filmler, \u2018kurtulmaya \u00e7al\u0131\u015fan\u2019 gen\u00e7lerin mi yoksa \u2018kurtarmaya \u00e7al\u0131\u015fan\u2019 gen\u00e7lerin \u00f6yk\u00fclerini mi anlat\u0131yor?<\/p>\n

Oyun temas\u0131n\u0131n i\u015flenmesi, d\u00fcnyay\u0131 kurtarmak gibi ciddi bir konuyu gen\u00e7lere y\u00fcklemenin bir bi\u00e7imi olabilir mi?<\/p>\n

Gen\u00e7lerin politik bir kurtar\u0131c\u0131l\u0131\u011fa soyunmalar\u0131n\u0131n kar\u015f\u0131s\u0131nda, asl\u0131nda birileri taraf\u0131ndan \u2018ma\u015fa\u2019 olarak kullan\u0131ld\u0131klar\u0131n\u0131 iddia etmek m\u00fcmk\u00fcn m\u00fc?<\/p><\/blockquote>\n

“Belki de g\u00fcn\u00fcm\u00fcz genci i\u00e7in politik olman\u0131n \u00f6n \u015fart\u0131, apokaliptik olmak; gerekiyorsa k\u0131yameti bile bile kopartmakt\u0131r…”<\/em> diyor Enki<\/strong><\/em>. Devam\u0131 ise SabitFikir<\/strong><\/em>‘in sayfalar\u0131 aras\u0131nda sizleri bekliyor.<\/p>\n

\u201cGen\u00e7 Kahraman\u0131n Y\u00fckseli\u015fi: Apokaliptik ve Politik\u201d <\/strong>dosyas\u0131 d\u0131\u015f\u0131nda da bizleri heyecanland\u0131racak k\u00f6\u015feler mevcut. Fisun Yal\u00e7\u0131nkaya<\/strong><\/span>, “\u0130\u00e7 Sava\u015f\u0131n Yaratt\u0131\u011f\u0131 Bir Anti-Kahraman”<\/em> ba\u015fl\u0131\u011f\u0131 ile \u00e7izgi roman k\u00f6\u015fesinde Te\u011fmen Blueberry<\/strong>‘yi anlat\u0131yor.<\/p>\n

\u015eahanebirkitap<\/strong> b\u00f6l\u00fcm\u00fcnde Oylum Y\u0131lmaz<\/em>, usta yazar Sad\u0131k Yemni<\/a><\/strong>‘nin ge\u00e7ti\u011fimiz nisan ay\u0131nda yay\u0131mlanan Kay\u0131p Kedi<\/a><\/strong> adl\u0131 polisiye kitab\u0131n\u0131 inceliyor.<\/p>\n

Ele\u015ftiri<\/strong> b\u00f6l\u00fcm\u00fcnde ise G\u00f6k\u00e7e G\u00fcnd\u00fc\u00e7<\/em>, “Kahraman Perseus”<\/strong> ba\u015fl\u0131\u011f\u0131yla edebiyatta mitler hakk\u0131nda konu\u015fuyor ve Nefrin Tokyay<\/em>‘\u0131n\u00a0Perseus’un Yolculu\u011fu<\/strong> adl\u0131 eserini\u00a0ele\u015ftiriyor.<\/p>\n

Nilah Kaya<\/em> ise “Bir Terc\u00fcme-i Gotik”<\/strong> ad\u0131n\u0131 verdi\u011fi ele\u015ftirisinde Tanzimat d\u00f6neminde Ahmet Mithat Efendi<\/em>‘nin \u00e7evirisiyle yay\u0131mlanan “Udolf Hisar\u0131”<\/em> adl\u0131, \u0130ngiliz Gotik Edebiyat\u0131’n\u0131n erken d\u00f6nem \u00f6rneklerinden birisini anlat\u0131yor.<\/p>\n

G\u00f6r\u00fcnen o ki SabitFikir<\/strong>, yine dopdolu bir say\u0131yla raflarda. Kay\u0131p R\u0131ht\u0131m olarak, “Aman ka\u00e7\u0131rmay\u0131n<\/em>!” diyoruz.<\/p>\n

\"sabitfikir<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

SabitFikir‘in 52. say\u0131s\u0131ndan (Haziran 2015) haberdar olmayanlar haberimize odaklans\u0131nlar, zira bu ay dergide \u015fahane bir dosya konusu var! \u0130thaki Yay\u0131nlar\u0131 kadrosunda yer alan Yank\u0131 Enki‘nin kaleme ald\u0131\u011f\u0131 dosyan\u0131n ad\u0131 \u201cGen\u00e7 Kahraman\u0131n Y\u00fckseli\u015fi: Apokaliptik ve Politik\u201d Enki bu \u00e7al\u0131\u015fmas\u0131nda distopik ve post apokaliptik kurgular\u0131 merkezine oturtuyor\u00a0ve bu anlat\u0131lar \u00fczerinden gen\u00e7lerin duru\u015funu irdeliyor. \u201cBu eserler, hep apolitik […]<\/p>\n","protected":false},"author":65,"featured_media":42891,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1241],"tags":[496,5597,5598,716,9232,2039,5592,5600,116,4586,4386,5228,5591,4745,5599,5595,5594,4917,579,211,5593,5596,5590,1486],"class_list":{"0":"post-42883","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-dergiler","8":"tag-aclik-oyunlari","9":"tag-ahmet-mithat-efendi","10":"tag-bir-tercume-i-gotik","11":"tag-distopya","12":"tag-dosya","13":"tag-enderin-oyunu","14":"tag-fisun-yalcinkaya","15":"tag-gotik-edebiyati","16":"tag-ithaki-yayinlari","17":"tag-kayip-kedi","18":"tag-kizil-yukselis","19":"tag-kurucunun-kizi","20":"tag-labirent","21":"tag-nefrin-tokyay","22":"tag-nihal-kaya","23":"tag-perseus","24":"tag-perseusun-yolculugu","25":"tag-post-apokaliptik","26":"tag-sabitfikir","27":"tag-sadik-yemni","28":"tag-tegmen-blueberry","29":"tag-udolf-hisari","30":"tag-uyumsuz","31":"tag-yanki-enki","32":"kose_yazari-bahri-dogukan-sahin","33":"kose_yazari-onur-selamet-arsivi"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/42883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/users\/65"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/comments?post=42883"}],"version-history":[{"count":0,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/42883\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media\/42891"}],"wp:attachment":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media?parent=42883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/categories?post=42883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/tags?post=42883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}