{"id":51242,"date":"2015-12-10T12:08:40","date_gmt":"2015-12-10T10:08:40","guid":{"rendered":"http:\/\/www.kayiprihtim.org\/portal\/?p=51242"},"modified":"2015-12-10T12:08:40","modified_gmt":"2015-12-10T10:08:40","slug":"talat-sait-halman-ceviri-odulu-ilk-sahibini-buldu","status":"publish","type":"post","link":"https:\/\/www.kayiprihtim.org\/portal\/2015\/12\/10\/talat-sait-halman-ceviri-odulu-ilk-sahibini-buldu\/","title":{"rendered":"Tal\u00e2t Sait Halman \u00c7eviri \u00d6d\u00fcl\u00fc \u0130lk Sahibini Buldu"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-49219\" src=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2015\/10\/talat-sait-halman.jpg\" alt=\"talat-sait-halman\" width=\"467\" height=\"252\" srcset=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2015\/10\/talat-sait-halman.jpg 500w, https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2015\/10\/talat-sait-halman-300x162.jpg 300w\" sizes=\"(max-width: 467px) 100vw, 467px\" \/><\/p>\n<p><span style=\"font-size: 12pt;\"><strong>Ge\u00e7ti\u011fimiz aylarda ba\u015flad\u0131\u011f\u0131n\u0131 <a href=\"https:\/\/www.kayiprihtim.org\/portal\/2015\/10\/24\/talat-sait-halman-ceviri-odulu-basliyor\/\">duyurdu\u011fumuz<\/a>\u00a0<span style=\"color: #993300;\">Tal\u00e2t Sait Halman \u00c7eviri \u00d6d\u00fcl\u00fc<\/span>&#8216;n\u00fcn ilk sahibi belli oldu!<\/strong><\/span><\/p>\n<p><strong>\u0130stanbul K\u00fclt\u00fcr Sanat Vakf\u0131<\/strong>&#8216;nca d\u00fczenlenen \u00f6d\u00fcl;\u00a0\u015fiir, \u00f6yk\u00fc, roman gibi edebi t\u00fcrlerdeki nitelikli \u00e7evirileri te\u015fvik amac\u0131yla verilmekteydi.\u00a0Ge\u00e7ti\u011fimiz y\u0131l kaybetti\u011fimiz Tal\u00e2t Sait Halman an\u0131s\u0131na ba\u015flayan \u00e7eviri \u00f6d\u00fcl\u00fcn\u00fcn ilk sahibi ise\u00a0<span style=\"color: #993300;\"><strong>Siren \u0130demen<\/strong><\/span> oldu.\u00a0<strong>Georges Perec<\/strong>\u2019in <em>La Boutique Obscure: 124 R\u00eaves<\/em> adl\u0131 eserinin <em>Karanl\u0131k D\u00fckk\u00e2n: 124 R\u00fcya<\/em> adl\u0131 \u00e7evirisiyle \u00f6d\u00fcle lay\u0131k g\u00f6r\u00fclen <strong>Siren \u0130demen<\/strong> i\u00e7in t\u00f6rende \u015funlar s\u00f6ylendi:<\/p>\n<blockquote><p>\u201cSiren \u0130demen, yazar\u0131n kendine \u00f6zg\u00fc dilini ve \u00fcslubunu T\u00fcrk\u00e7eye b\u00fcy\u00fck bir yetkinlikle uyarlam\u0131\u015f, yazar\u0131n s\u0131k ba\u015fvurdu\u011fu s\u00f6zc\u00fck, hatta ses ya da ses birimi, hece d\u00fczeyindeki h\u0131nz\u0131rca dilsel oyunlar i\u00e7in son derece yarat\u0131c\u0131 kar\u015f\u0131l\u0131klar \u00fcretebilmi\u015ftir. Bunu yaparken metnin engin k\u00fclt\u00fcrel alt katmanlar\u0131n\u0131 ve \u00fcst\u00fc kapal\u0131 g\u00f6ndermelerini es ge\u00e7memi\u015f, ya metne yedirerek ya da gerekli yerlerde titiz bir \u00e7al\u0131\u015fman\u0131n \u00fcr\u00fcn\u00fc olan yetkin \u00e7evirmen notlar\u0131yla okurlar\u0131n metnin t\u00fcm katmanlar\u0131na ula\u015fabilmelerini sa\u011flam\u0131\u015ft\u0131r. Sonu\u00e7 olarak Siren \u0130demen, hem de Perec gibi dilini ustal\u0131kla kullanan bir yazar\u0131n \u00e7etrefilli metnini yazar\u0131nkine e\u015fde\u011fer bir yaz\u0131nsal estetik d\u00fczeyinde kendi dilinde yeniden \u00fcretmeyi ba\u015fard\u0131\u011f\u0131 i\u00e7in bu \u00f6d\u00fcle hak kazanm\u0131\u015ft\u0131r.\u201d<\/p><\/blockquote>\n<p><strong>\u0130demen<\/strong>\u2019in \u00e7evirdi\u011fi kitaplardan baz\u0131lar\u0131 \u015funlard\u0131r:<\/p>\n<p>[stextbox id=&#8221;black&#8221;]<\/p>\n<ul>\n<li>Ricardo Guiraldes &#8211; <em>Bozk\u0131rdaki G\u00f6lgeler <\/em>(1983)<\/li>\n<li>Jean Leca &#8211; <em>Uluslar ve Milliyet\u00e7ilikler Milliyet\u00e7ilikler<\/em> (1998)<\/li>\n<li>Annie Ernaux &#8211;<em>K\u00fcrtaj<\/em> (2000)<\/li>\n<li>Annie Ernaux &#8211; <em>Babam<\/em> (2001)<\/li>\n<li>Habib Suadiya &#8211; <em>Kirli Sava\u015f<\/em> (2001)<\/li>\n<li>Enki Bilal &#8211;<em>D\u00f6rt?<\/em> (2010)<\/li>\n<li>Enki Bilal &#8211; <em>Mahlukk <\/em>(2011)<\/li>\n<li>Hubert Reeves &#8211; <em>Merakl\u0131s\u0131na Evren<\/em> (2012)<\/li>\n<li>Bertrand Santini &#8211; <em>Yark<\/em> (2014)<\/li>\n<li>M. Cieutat, P. Rouyer &#8211; <em>Haneke Haneke\u2019yi Anlat\u0131yor <\/em>(2014)<\/li>\n<li>George Perec &#8211; <em>Karanl\u0131k D\u00fckk\u00e2n<\/em> (2015)<\/li>\n<\/ul>\n<p><strong> Siren \u0130demen<\/strong>&#8216;\u0131 ba\u015far\u0131s\u0131ndan \u00f6t\u00fcr\u00fc kutluyoruz!<strong> 2016 Tal\u00e2t Sait Halman \u00c7eviri \u00d6d\u00fcl\u00fc<\/strong> i\u00e7in ba\u015fvurular <strong>Eyl\u00fcl 2016<\/strong> tarihine kadar devam edecek.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ge\u00e7ti\u011fimiz aylarda ba\u015flad\u0131\u011f\u0131n\u0131 duyurdu\u011fumuz\u00a0Tal\u00e2t Sait Halman \u00c7eviri \u00d6d\u00fcl\u00fc&#8216;n\u00fcn ilk sahibi belli oldu! \u0130stanbul K\u00fclt\u00fcr Sanat Vakf\u0131&#8216;nca d\u00fczenlenen \u00f6d\u00fcl;\u00a0\u015fiir, \u00f6yk\u00fc, roman gibi edebi t\u00fcrlerdeki nitelikli \u00e7evirileri te\u015fvik amac\u0131yla verilmekteydi.\u00a0Ge\u00e7ti\u011fimiz y\u0131l kaybetti\u011fimiz Tal\u00e2t Sait Halman an\u0131s\u0131na ba\u015flayan \u00e7eviri \u00f6d\u00fcl\u00fcn\u00fcn ilk sahibi ise\u00a0Siren \u0130demen oldu.\u00a0Georges Perec\u2019in La Boutique Obscure: 124 R\u00eaves adl\u0131 eserinin Karanl\u0131k D\u00fckk\u00e2n: 124 R\u00fcya adl\u0131 [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1801],"tags":[8865,8866,8864,8863],"class_list":{"0":"post-51242","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-edebiyat-odulleri","7":"tag-georges-perec","8":"tag-karanlik-dukkan-124-ruya","9":"tag-siren-idemen","10":"tag-talat-sait-halman-ceviri-odulu","11":"kose_yazari-onur-selamet-arsivi"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/51242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/comments?post=51242"}],"version-history":[{"count":0,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/51242\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media?parent=51242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/categories?post=51242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/tags?post=51242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}