{"id":52001,"date":"2016-01-15T13:42:38","date_gmt":"2016-01-15T11:42:38","guid":{"rendered":"http:\/\/www.kayiprihtim.org\/portal\/?p=52001"},"modified":"2022-07-31T23:12:49","modified_gmt":"2022-07-31T20:12:49","slug":"odullu-cizgi-roman-ayvali-ayvalik-turkcede","status":"publish","type":"post","link":"https:\/\/www.kayiprihtim.org\/portal\/2016\/01\/15\/odullu-cizgi-roman-ayvali-ayvalik-turkcede\/","title":{"rendered":"\u00d6d\u00fcll\u00fc \u00c7izgi Roman &#8220;Ayvali-Ayval\u0131k&#8221; T\u00fcrk\u00e7ede!"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-52002\" src=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2016\/01\/ayvali-ust.jpg\" alt=\"ayvali ust\" width=\"467\" height=\"270\" srcset=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2016\/01\/ayvali-ust.jpg 504w, https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2016\/01\/ayvali-ust-300x173.jpg 300w\" sizes=\"(max-width: 467px) 100vw, 467px\" \/><\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"font-size: 12pt;\">Yunanistan\u2019da bu y\u0131l en iyi \u00e7izgi roman ve en iyi senaryo \u00f6d\u00fcl\u00fcne de\u011fer g\u00f6r\u00fclen <span style=\"color: #993300;\">Solo\u00fap<\/span>\u2019un \u00a0\u00e7izdi\u011fi ve senaryosunu yazd\u0131\u011f\u0131 <span style=\"color: #993300;\">Ayvali-Ayval\u0131k<\/span> grafik roman\u0131, <em>\u0130stos Yay\u0131nlar\u0131<\/em> etiketiyle raflardaki yerini ald\u0131.<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\">Okuyucuyu sinematografik bir zaman yolculu\u011funa \u00e7\u0131karan grafik roman,<em> Ayval\u0131k<\/em> k\u00f6kenli\u00a0<strong>\u00fc\u00e7 ayr\u0131 ku\u015faktan d\u00f6rt \u00f6nemli yazar\u0131n<\/strong> ya\u015fanm\u0131\u015f hik\u00e2yelerini, g\u00fcn\u00fcm\u00fczde ger\u00e7ekle\u015fen <em>Midilli<\/em> ile <em>Ayval\u0131k<\/em> aras\u0131ndaki g\u00fcn\u00fc birlik bir gemi yolculu\u011fu kurgusu i\u00e7inde harmanl\u0131yor ve Ege\u2019nin iki yakas\u0131ndaki halklar\u0131n zul\u00fcm, g\u00f6\u00e7, ac\u0131 ve hasretle ortakla\u015fan tarihine taraf tutmadan ger\u00e7ek\u00e7i bir bak\u0131\u015f sunuyor.<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt; color: #993300;\"><strong>Ayvali-Ayval\u0131k<\/strong><\/span>, bug\u00fcn h\u00e2l\u00e2 Midilli ile Ayval\u0131k aras\u0131ndaki dar bo\u011fazda, Ege\u2019nin iki yakas\u0131nda yiten insan hayatlar\u0131na, <strong>100 y\u0131ll\u0131k bitmeyen g\u00f6\u00e7menli\u011fe<\/strong> bir bak\u0131\u015f sunuyor.\u00a0Eserin tan\u0131t\u0131m yaz\u0131s\u0131 \u015fu sekilde:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Osmanl\u0131 d\u00f6nemi Ayval\u0131k\u2019\u0131n\u0131 ve Ege\u2019de g\u00fcndelik hayat\u0131 ve ki\u015fileri en iyi tasvir eden yazar ve ikonograf olan Fotis Kondo\u011flu\u2019nun anlat\u0131s\u0131yla ba\u015flayan yolculuk, Amele Taburlar\u0131 s\u00fcrg\u00fcn\u00fcnden sa\u011f kurtulmay\u0131 ba\u015farm\u0131\u015f az say\u0131da Rumdan biri olan Ayval\u0131kl\u0131 \u00f6yk\u00fcc\u00fc \u0130lias Venezis\u2019in 1922 y\u0131l\u0131 anlat\u0131s\u0131yla devam ediyor. Daha sonra Agapi Venezi-Molivyati ayn\u0131 d\u00f6nemi kad\u0131n bak\u0131\u015f a\u00e7\u0131s\u0131yla ve bir T\u00fcrk subay\u0131yla ya\u015fad\u0131\u011f\u0131 \u00e7arp\u0131c\u0131 g\u00fcnlerin g\u00fcc\u00fcyle anlat\u0131yor; \u00e7a\u011fda\u015f Ayval\u0131k\u2019\u0131n say\u0131l\u0131 yazarlar\u0131ndan Ahmet Yorulmaz ise Giritli Hasan\u2019\u0131n hik\u00e2yesinde, Balkan Sava\u015flar\u0131\u2019ndan N\u00fcfus M\u00fcbadelesi\u2019ne uzanan y\u0131llar boyunca Girit T\u00fcrklerinin maruz kald\u0131\u011f\u0131 bask\u0131 ve cinayetleri yal\u0131nl\u0131kla aktar\u0131yor. \u00c7izer ve anlat\u0131c\u0131m\u0131z Solo\u00fap ise t\u00fcm bu hik\u00e2yeleri, &#8220;vatan&#8221;\u0131n\u0131 bulma sorusuyla kendi \u00e7\u0131kt\u0131\u011f\u0131 aray\u0131\u015f ve yine kendisi gibi bir m\u00fcbadil torunu olan Mehmet\u2019le ya\u015fad\u0131\u011f\u0131 kar\u015f\u0131la\u015fman\u0131n i\u00e7ine yerle\u015ftiriyor.<\/p>\n<\/blockquote>\n<p><em><strong>Hasan \u00d6zg\u00fcr Tuna<\/strong><\/em> taraf\u0131ndan T\u00fcrk\u00e7eye kazand\u0131r\u0131lan, karikat\u00fcr \u00fcstad\u0131 <span style=\"font-size: 12pt; color: #993300;\"><strong>Solo\u00fap<\/strong><\/span>\u2019un ba\u015fyap\u0131t niteli\u011findeki bu 448 sayfal\u0131k eseri t\u00fcm \u00e7izgi roman severlere tavsiye ediyoruz ve sizleri yay\u0131nevince haz\u0131rlanan tan\u0131t\u0131m videosu ile ba\u015fba\u015fa b\u0131rak\u0131yoruz.<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/cFZC1RQw4ws\" width=\"467\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yunanistan\u2019da bu y\u0131l en iyi \u00e7izgi roman ve en iyi senaryo \u00f6d\u00fcl\u00fcne de\u011fer g\u00f6r\u00fclen Solo\u00fap\u2019un \u00a0\u00e7izdi\u011fi ve senaryosunu yazd\u0131\u011f\u0131 Ayvali-Ayval\u0131k grafik roman\u0131, \u0130stos Yay\u0131nlar\u0131 etiketiyle raflardaki yerini ald\u0131. Okuyucuyu sinematografik bir zaman yolculu\u011funa \u00e7\u0131karan grafik roman, Ayval\u0131k k\u00f6kenli\u00a0\u00fc\u00e7 ayr\u0131 ku\u015faktan d\u00f6rt \u00f6nemli yazar\u0131n ya\u015fanm\u0131\u015f hik\u00e2yelerini, g\u00fcn\u00fcm\u00fczde ger\u00e7ekle\u015fen Midilli ile Ayval\u0131k aras\u0131ndaki g\u00fcn\u00fc birlik bir gemi [&hellip;]<\/p>\n","protected":false},"author":73,"featured_media":52003,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[334],"tags":[9164,9218,9165,9163,9162],"class_list":{"0":"post-52001","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cizgi-roman","8":"tag-ayvali-ayvalik","9":"tag-cizgi-roman","10":"tag-hasan-ozgur-tuna","11":"tag-istos-yayinlari","12":"tag-soloup","13":"kose_yazari-gurkan-akkaya-elendil_xx"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/52001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/comments?post=52001"}],"version-history":[{"count":2,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/52001\/revisions"}],"predecessor-version":[{"id":59918,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/52001\/revisions\/59918"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media\/52003"}],"wp:attachment":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media?parent=52001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/categories?post=52001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/tags?post=52001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}