{"id":53740,"date":"2016-03-09T14:45:50","date_gmt":"2016-03-09T12:45:50","guid":{"rendered":"http:\/\/www.kayiprihtim.org\/portal\/?p=53740"},"modified":"2016-03-09T14:45:50","modified_gmt":"2016-03-09T12:45:50","slug":"cinin-en-cok-yasaklanan-nobel-odullu-yazarindan-degisim-raflarda","status":"publish","type":"post","link":"https:\/\/www.kayiprihtim.org\/portal\/2016\/03\/09\/cinin-en-cok-yasaklanan-nobel-odullu-yazarindan-degisim-raflarda\/","title":{"rendered":"\u00c7in&#8217;in En \u00c7ok Yasaklanan Nobel \u00d6d\u00fcll\u00fc Yazar\u0131ndan \u201cDe\u011fi\u015fim\u201d Raflarda!"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-53744\" src=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2016\/03\/mo-yan-degisim-ust.jpeg\" alt=\"mo-yan-degisim-ust\" width=\"467\" height=\"252\" srcset=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2016\/03\/mo-yan-degisim-ust.jpeg 500w, https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2016\/03\/mo-yan-degisim-ust-300x162.jpeg 300w\" sizes=\"(max-width: 467px) 100vw, 467px\" \/><\/p>\n<p><span style=\"font-size: 12pt;\"><strong>2012 y\u0131l\u0131nda<em> Nobel Edebiyat \u00d6d\u00fcl\u00fc<\/em>\u2019ne lay\u0131k g\u00f6r\u00fclen \u00c7inli yazar <span style=\"color: #993300;\">Mo Yan<\/span>\u2019\u0131n &#8220;<span style=\"color: #993300;\">De\u011fi\u015fim<\/span>&#8221; adl\u0131 novellas\u0131 <em>Can Yay\u0131nlar\u0131<\/em> etiketiyle raflardaki yerini ald\u0131!<\/strong><\/span><\/p>\n<p>\u00c7in\u2019in <em>Franz Kafkas\u0131<\/em> olarak da g\u00f6sterilen ve as\u0131l ad\u0131\u00a0<em>Guan Moye<\/em> olan, fakat eserlerinde <strong>Mo Yan<\/strong> mahlas\u0131n\u0131 kullanan (<em>sak\u0131n konu\u015fma anlam\u0131na geliyor<\/em>) yazar, \u00c7in\u2019de s\u00fcrekli yasaklanan ve bu nedenle yap\u0131tlar\u0131 korsan yollarla en \u00e7ok \u00e7o\u011falt\u0131lan yazarlardan birisi olarak g\u00f6steriliyor.<\/p>\n<p>Mo Yan, &#8220;<em>De\u011fi\u015fim<\/em>&#8221; adl\u0131 96 sayfal\u0131k novellas\u0131nda\u00a0\u00fclkesindeki toplumsal ve siyasal de\u011fi\u015fimleri otobiyografik bir dille\u00a0kaleme al\u0131yor.<\/p>\n<p>Gelin tan\u0131t\u0131m b\u00fcltenine hep birlikte g\u00f6z atal\u0131m:<\/p>\n<blockquote><p>He Zhiwu\u2019nun \u00fczerine vuran alt\u0131n sar\u0131s\u0131 \u0131\u015f\u0131klar\u0131 <a href=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2016\/03\/mo-yan-degisim.jpg\"><img decoding=\"async\" class=\"alignright wp-image-53742\" src=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2016\/03\/mo-yan-degisim-192x300.jpg\" alt=\"mo-yan-degisim\" width=\"139\" height=\"217\" srcset=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2016\/03\/mo-yan-degisim-192x300.jpg 192w, https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2016\/03\/mo-yan-degisim.jpg 350w\" sizes=\"(max-width: 139px) 100vw, 139px\" \/><\/a>g\u00f6r\u00fcnce, ba\u015fkalar\u0131 ne d\u00fc\u015f\u00fcyordu hi\u00e7 bilmiyorum ama i\u015fte tam da o an i\u00e7in bir kahraman oluvermi\u015fti g\u00f6z\u00fcmde. Y\u0131rtt\u0131\u011f\u0131 sayfan\u0131n par\u00e7alar\u0131 elinden konfeti gibi s\u00fcz\u00fcld\u00fckten sonra tozlu yola d\u00fc\u015ft\u00fc. Ba\u015fkas\u0131n\u0131 bilmem, fakat ben \u00f6yle heyecanlanm\u0131\u015ft\u0131m ki kalbim yerinden f\u0131rlayacak gibi \u00e7arpmaya ba\u015flam\u0131\u015ft\u0131. Ders kitaplar\u0131n\u0131 y\u0131rt\u0131yordu. Defterlerini par\u00e7al\u0131yordu! Okulla yollar\u0131n\u0131 tamamen ay\u0131rm\u0131\u015ft\u0131 art\u0131k. Okulu akl\u0131n\u0131n en gerisine itmi\u015f, \u00f6\u011fretmeni ayaklar\u0131 alt\u0131na alm\u0131\u015ft\u0131. Kafesinden \u00e7\u0131km\u0131\u015f bir ku\u015fu and\u0131r\u0131yordu. \u00d6zg\u00fcrd\u00fc art\u0131k. Okul disiplini ve kurallar\u0131n\u0131 iplemiyordu hi\u00e7. Peki ya biz?<\/p><\/blockquote>\n<p>Arka kapak ise \u015fu sat\u0131rlar\u0131yla dikkat \u00e7ekiyor:<\/p>\n<blockquote><p>Otobiyografi tarz\u0131nda \u00f6yk\u00fc ya da \u00f6yk\u00fc tarz\u0131nda otobiyografi diyebilece\u011fimiz bu yap\u0131t, \u00c7in edebiyat\u0131ndaki \u00e7o\u011funlukla siyasal olaylara odaklanan tarihsel anlat\u0131lar\u0131n tersine, &#8220;insanlar&#8221;\u0131n tarihini ele al\u0131yor. De\u011fi\u015fim bu niteli\u011fiyle de\u011fi\u015fme s\u00fcrecindeki bir \u00fclkenin g\u00f6r\u00fcn\u00fcm\u00fcnde tavandan a\u015fa\u011f\u0131ya de\u011fil, tabandan yukar\u0131ya bakan bir yakla\u015f\u0131m\u0131n temsilcisi oluyor.<\/p>\n<p>Mo Yan, anlat\u0131m\u0131nda zaman i\u00e7inde ileriye ve geriye d\u00f6n\u00fc\u015fler yap\u0131yor; \u00f6nemsiz olaylar ile s\u0131radan insanlar\u0131n ya\u015fam\u0131na y\u00f6neliyor. G\u00fcndelik ya\u015fam\u0131n boyutlar\u0131n\u0131 a\u015fan b\u00fcy\u00fck olaylar\u0131n sokaktaki insan \u00fczerindeki etkisini aktararak tarihe insan s\u0131ca\u011f\u0131n\u0131n solu\u011funu kat\u0131yor.<\/p><\/blockquote>\n<p>&#8220;<em>De\u011fi\u015fim<\/em>&#8221;\u00a0<strong>Erdem Kurtuldu<\/strong> taraf\u0131ndan \u00e7evrildi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2012 y\u0131l\u0131nda Nobel Edebiyat \u00d6d\u00fcl\u00fc\u2019ne lay\u0131k g\u00f6r\u00fclen \u00c7inli yazar Mo Yan\u2019\u0131n &#8220;De\u011fi\u015fim&#8221; adl\u0131 novellas\u0131 Can Yay\u0131nlar\u0131 etiketiyle raflardaki yerini ald\u0131! \u00c7in\u2019in Franz Kafkas\u0131 olarak da g\u00f6sterilen ve as\u0131l ad\u0131\u00a0Guan Moye olan, fakat eserlerinde Mo Yan mahlas\u0131n\u0131 kullanan (sak\u0131n konu\u015fma anlam\u0131na geliyor) yazar, \u00c7in\u2019de s\u00fcrekli yasaklanan ve bu nedenle yap\u0131tlar\u0131 korsan yollarla en \u00e7ok \u00e7o\u011falt\u0131lan yazarlardan [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":53744,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[9636,1477,9635],"class_list":{"0":"post-53740","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-diger","8":"tag-degisim","9":"tag-franz-kafka","10":"tag-mo-yan","11":"kose_yazari-onur-selamet-arsivi"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/53740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/comments?post=53740"}],"version-history":[{"count":0,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/53740\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media\/53744"}],"wp:attachment":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media?parent=53740"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/categories?post=53740"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/tags?post=53740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}