{"id":55196,"date":"2016-04-23T15:30:32","date_gmt":"2016-04-23T12:30:32","guid":{"rendered":"http:\/\/www.kayiprihtim.org\/portal\/?p=55196"},"modified":"2022-07-31T23:12:55","modified_gmt":"2022-07-31T20:12:55","slug":"haftanin-illustrasyonu-5-pornocrates","status":"publish","type":"post","link":"https:\/\/www.kayiprihtim.org\/portal\/2016\/04\/23\/haftanin-illustrasyonu-5-pornocrates\/","title":{"rendered":"Haftan\u0131n \u0130ll\u00fcstrasyonu #5 \u201cPornocrates\u201d"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-55211\" src=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2016\/04\/haftanin-illustrasyonu-5.jpg\" alt=\"haftanin illustrasyonu 5\" width=\"467\" height=\"287\" srcset=\"https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2016\/04\/haftanin-illustrasyonu-5.jpg 650w, https:\/\/www.kayiprihtim.org\/portal\/gorsel\/2016\/04\/haftanin-illustrasyonu-5-300x185.jpg 300w\" sizes=\"(max-width: 467px) 100vw, 467px\" \/><\/p>\n<p><strong><span style=\"font-size: 12pt;\">Haftan\u0131n ill\u00fcstrasyonlar\u0131nda s\u0131ra <span style=\"color: #993300;\">F\u00e9licien Rops<\/span> ve onun \u00fcn\u00fcne ge\u00e7 kavu\u015fmu\u015f eseri \u201c<span style=\"color: #993300;\">Pornocrates<\/span>\u201dde.<\/span><\/strong><\/p>\n<p>Bel\u00e7ikal\u0131 ressam <b>F\u00e9licien Rops<\/b> taraf\u0131ndan 1878 y\u0131l\u0131nda \u00e7izilen \u201c<b>Pornocrates<\/b>\u201d ya da di\u011fer ad\u0131yla <b>\u201cLa Dame au cochon\u201d<em> (Domuzlu Kad\u0131n)<\/em><\/b>, sanat\u00e7\u0131n\u0131n en bilinen eserlerinden biri olsa da resmin bu pop\u00fclerli\u011fini yakalamas\u0131 ancak Rops 45 ya\u015f\u0131na geldikten sonra ger\u00e7ekle\u015febilmi\u015f.<\/p>\n<p>F\u00e9licien Rops asl\u0131nda sanat \u00e7evrelerinde tan\u0131nmaya Saint-Luc Akademisi&#8217;nde bulundu\u011fu s\u0131rada <b>Le Crocodile <\/b><em><strong>(Timsah)<\/strong><\/em> adl\u0131 \u00f6\u011frenci dergisinde yay\u0131mlad\u0131\u011f\u0131 ta\u015f bask\u0131 tekni\u011fiyle \u00fcretilmi\u015f resimlerle ba\u015flad\u0131. Sonras\u0131nda <em>Uylenspiegel<\/em> adl\u0131 dergide de yer bularak \u00fcn\u00fcn\u00fc iyice artt\u0131ran <strong>Rops<\/strong>, o d\u00f6nemde Paris\u2019in sanat ya\u015fam\u0131na y\u00f6n veren pek \u00e7ok yenilik\u00e7i sanat\u00e7\u0131yla tan\u0131\u015fma f\u0131rsat\u0131n\u0131 yakalad\u0131. Bu isimlerin i\u00e7erisinde <i>Baudlaire, Alfred de Musset, Flaubert, St\u00e9phane Mallarm\u00e9 ve Manet<\/i>, Rops\u2019un sanat\u00e7\u0131 ki\u015fili\u011fi \u00fczerinde en \u00e7ok iz b\u0131rakanlar aras\u0131nda say\u0131labilir.<\/p>\n<p>T\u0131pk\u0131 Frans\u0131z dostu <em>Manet<\/em> gibi d\u00f6nemin resim ve sanat anlay\u0131\u015f\u0131n\u0131n \u00fczerine kal\u0131n bir \u00e7izgi \u00e7eken <strong>Rops<\/strong>, eserleriyle modern resmin \u00f6nc\u00fcleri aras\u0131nda yer ald\u0131. Karanl\u0131k, ger\u00e7ek d\u0131\u015f\u0131, \u00e7o\u011funlukla erotik i\u00e7erikli ve hatta satanist \u00f6geler bar\u0131nd\u0131ran sanat anlay\u0131\u015f\u0131yla d\u00f6nemin klasik sanat alg\u0131lar\u0131n\u0131 parampar\u00e7a etti.<\/p>\n<p><em>Pornocrates<\/em>\u2019i k\u0131\u015fk\u0131rt\u0131c\u0131 bir eser yapan pek \u00e7ok detay bulunsa da, resmin odak noktas\u0131nda yer alan \u00e7\u0131plak, g\u00f6zleri ba\u011fl\u0131 burjuva kad\u0131yla iplerini elinde tuttu\u011fu alt\u0131n kuyruklu domuz \u015f\u00fcphesiz ki <strong>Rops<\/strong>&#8216;un d\u00f6nemin toplumuna y\u00f6neltti\u011fi en sivri ele\u015ftiri oku. G\u00f6zleri ba\u011fl\u0131 ve varl\u0131kl\u0131 oldu\u011funu g\u00f6steren detaylarla s\u00fcslenmi\u015f bu kad\u0131n m\u0131 domuza h\u00fckmediyor, yoksa alt\u0131n kuyru\u011fuyla l\u00fcks\u00fc ve t\u00fcketimi \u00e7a\u011fr\u0131\u015ft\u0131ran bu besili domuz mu kad\u0131n\u0131 y\u00f6nlendiriyor? Peki eserin Yunanca &#8220;pornos&#8221; (hayat kad\u0131n\u0131) ve &#8220;kratos&#8221; (g\u00fc\u00e7) kelimelerinden olu\u015fan <em>&#8220;Pornocrates&#8221;<\/em> ismi bize ne ifade etmeli? Provokat\u00f6r ve g\u00fc\u00e7l\u00fc bir eser olan <em>Pornocrates<\/em>&#8216;in size ne anlatmak istedi\u011fine yine siz karar vermelisiniz!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Haftan\u0131n ill\u00fcstrasyonlar\u0131nda s\u0131ra F\u00e9licien Rops ve onun \u00fcn\u00fcne ge\u00e7 kavu\u015fmu\u015f eseri \u201cPornocrates\u201dde. Bel\u00e7ikal\u0131 ressam F\u00e9licien Rops taraf\u0131ndan 1878 y\u0131l\u0131nda \u00e7izilen \u201cPornocrates\u201d ya da di\u011fer ad\u0131yla \u201cLa Dame au cochon\u201d (Domuzlu Kad\u0131n), sanat\u00e7\u0131n\u0131n en bilinen eserlerinden biri olsa da resmin bu pop\u00fclerli\u011fini yakalamas\u0131 ancak Rops 45 ya\u015f\u0131na geldikten sonra ger\u00e7ekle\u015febilmi\u015f. F\u00e9licien Rops asl\u0131nda sanat \u00e7evrelerinde tan\u0131nmaya [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":55211,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[208,6],"tags":[10029,10028,10024,10030,9852,10026,10027,10032,10025,10031],"class_list":{"0":"post-55196","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cizgianime","8":"category-kayip-rihtim","9":"tag-alfred-de-musset","10":"tag-baudlaire","11":"tag-felicien-rops","12":"tag-flaubert","13":"tag-haftanin-illustrasyonu","14":"tag-la-dame-au-cochon","15":"tag-le-crocodile","16":"tag-manet","17":"tag-pornocrates","18":"tag-stephane-mallarme","19":"kose_yazari-beyza-tasdelen-black-helen"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/55196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/comments?post=55196"}],"version-history":[{"count":2,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/55196\/revisions"}],"predecessor-version":[{"id":59946,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/55196\/revisions\/59946"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media\/55211"}],"wp:attachment":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media?parent=55196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/categories?post=55196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/tags?post=55196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}