{"id":56006,"date":"2016-05-25T19:41:15","date_gmt":"2016-05-25T16:41:15","guid":{"rendered":"http:\/\/www.kayiprihtim.org\/portal\/?p=56006"},"modified":"2016-05-25T19:41:15","modified_gmt":"2016-05-25T16:41:15","slug":"laniakeada-bilincten-oteye-yolculuk","status":"publish","type":"post","link":"https:\/\/www.kayiprihtim.org\/portal\/2016\/05\/25\/laniakeada-bilincten-oteye-yolculuk\/","title":{"rendered":"Laniakea’da Bilin\u00e7ten \u00d6teye Yolculuk"},"content":{"rendered":"

\"laniakea<\/p>\n

Sibel Atasoy<\/em>\u2019un \u201cLaniakea<\/span>\u201d ad\u0131n\u0131 verdi\u011fi yeni roman\u0131; Cinius Yay\u0131nlar\u0131<\/em>\u2019ndan \u00e7\u0131kt\u0131. Kitab\u0131n en \u00f6nemli \u00f6zelliklerinden biri gelece\u011fe y\u00f6nelik yeni bir D\u00fcnya\u2019n\u0131n penceresini aralarken, gerek anlat\u0131m dili, gerek olay dinamikleriyle geni\u015f bir ya\u015f yelpazesindeki okuyucuya sesleniyor olmas\u0131.<\/strong><\/span><\/p>\n

Alan W.Watts<\/em><\/strong>\u2019\u0131n; Asl\u0131nda ‘d\u00fcnyaya gelmek’ de\u011fil yapt\u0131\u011f\u0131m\u0131z, d\u00fcnyadan \u00e7\u0131kmak: T\u0131pk\u0131 yapraklar\u0131n a\u011fa\u00e7tan \u00e7\u0131kmas\u0131 gibi. Okyanus nas\u0131l ‘dalgalan\u0131rsa’, evren de ‘insanlan\u0131r’,<\/em> s\u00f6z\u00fcyle giri\u015f yaparak, insan\u0131n d\u00fcnya yolculu\u011fu i\u00e7in beliri\u015fine farkl\u0131 bir bak\u0131\u015f a\u00e7\u0131s\u0131yla yakla\u015ft\u0131\u011f\u0131n\u0131 yeniden vurgulam\u0131\u015f olan Atasoy<\/strong><\/em>\u2019un \u201cLaniakea<\/strong>\u201ds\u0131; Anayurt Lemurya ad\u0131n\u0131 verdi\u011fi fantastik-bilimkurgu \u00fc\u00e7lemesinin ilk kitab\u0131.<\/p>\n

\u00d6zellikle belirtmek gerekir ki; bu kitap kesinlikle sadece bir fantastik-bilimkurgu de\u011fil, ge\u00e7mi\u015fi ve gelece\u011fi birle\u015ftiren bilimsel bir \u00f6ng\u00f6r\u00fc.<\/p>\n

S\u0131radan bir g\u00fcn nas\u0131l s\u0131ra d\u0131\u015f\u0131 bir maceraya d\u00f6n\u00fc\u015f\u00fcr?<\/p>\n

\u201cGen\u00e7 bir \u00e7ift bir motosikletle da\u011fda kamp yapmaya giderler. Karanl\u0131k \u00e7\u00f6kmeden \u00e7ad\u0131rlar\u0131n\u0131 kurmaya \u00e7al\u0131\u015f\u0131rken birden kad\u0131n ortadan kaybolur. Erkek de ertesi g\u00fcn bir \u00e7oban taraf\u0131ndan bir a\u011fac\u0131n i\u00e7inde \u00f6l\u00fc bulunur. Adeta k\u0131smen a\u011fa\u00e7la b\u00fct\u00fcnle\u015fmi\u015f gibidir. Neyse ki kimliklerini belirlemeye imkan verecek baz\u0131 materyaller kaybolmam\u0131\u015ft\u0131r da ki\u015filerin ailelerine bilgi verilir ve soru\u015fturma i\u00e7in h\u0131zl\u0131 bir ba\u015flang\u0131\u00e7 imkan\u0131 bulunur. Meydana gelen olay \u00f6ylesine s\u0131ra d\u0131\u015f\u0131 ve mant\u0131\u011fa ayk\u0131r\u0131d\u0131r ki, yetkililerce derhal y\u00fcksek seviyeli ulusal g\u00fcvenlik kapsam\u0131na al\u0131n\u0131r ve istihbarat elemanlar\u0131nca bir dizi soru\u015fturma ba\u015flat\u0131l\u0131r. Hikayenin geli\u015fim evrelerinde, okuyucu kendini kahraman\u0131m\u0131z Serap\u2019la birlikte, bir \u00e7ok farkl\u0131 zaman ve boyutta gezinirken bulur.\u201d<\/p><\/blockquote>\n

\"laniakea\"<\/a>
Laniakea<\/b>
Sibel Atasoy
Cinius Yay\u0131nlar\u0131
308 Syf.<\/figcaption><\/figure>\n

Bir yazar\u0131n kitaplar\u0131na bakt\u0131\u011f\u0131n\u0131zda, hayat\u0131n i\u00e7inde durdu\u011fu yeri de g\u00f6rebiliyorsan\u0131z, yazar yaz\u0131n\u0131n hakk\u0131n\u0131 vermi\u015f demektir. Sibel Atasoy da her roman\u0131nda oldu\u011fu gibi bu ger\u00e7e\u011fi bir kez daha, hatta daha g\u00fc\u00e7l\u00fc kan\u0131tl\u0131yor.<\/p>\n

Ayn\u0131 bi\u00e7imde; insanlar\u0131n zihin \u00f6tesini kaleme almak ger\u00e7ek bir ustal\u0131kt\u0131r. Yazar, fark\u0131ndal\u0131k penceresinden bak\u0131ld\u0131\u011f\u0131nda, ger\u00e7ek olan\u0131, efsanevi bir masal tad\u0131nda anlat\u0131yor bu yap\u0131t\u0131nda.<\/p>\n

D\u00fcnya\u2019n\u0131n h\u0131zla de\u011fi\u015fti\u011fi, kadim uygarl\u0131klar\u0131n \u00f6nemli izlerinin birer birer su y\u00fcz\u00fcne \u00e7\u0131kt\u0131\u011f\u0131 g\u00fcn\u00fcm\u00fczde, art\u0131k hi\u00e7bir \u015fey eskiden oldu\u011fu gibi \u2018\u00f6\u011fretilmi\u015f, kabul g\u00f6rm\u00fc\u015f\u2019 bilgi kirliliklerine pabu\u00e7 b\u0131rakmayacak kadar uyan\u0131\u015f<\/strong> halinde.<\/p>\n

\u0130nsan\u0131n i\u00e7inde var olan ve en k\u00fc\u00e7\u00fck zerresine kadar\u00a0 (DNA, atomlar, k\u0131lcal damarlar deyin isterseniz) do\u011fadan \u015fifrelenmi\u015f kodlar\u0131 i\u00e7eren \u201cYeniden yap\u0131lanma, yeniden do\u011fu\u015f, geni\u015f ve kapsay\u0131c\u0131 fark\u0131ndal\u0131k\u201d bir bir su y\u00fcz\u00fcne \u00e7\u0131kmakta.<\/p>\n

Art\u0131k eski defterler sadece bir hologram\u0131n fig\u00fcrleri olarak tebess\u00fcm ettiriyor Urban \u015eaman\u2019lara\u2026 R\u00fcyalar\u0131n sadece bir gece fantezisi olmad\u0131\u011f\u0131 da adeta bilimsel olarak kan\u0131tlan\u0131yor.<\/p>\n

Hepimiz, b\u00fcy\u00fck ve ilahi bir g\u00fcc\u00fcn zerresi olman\u0131n bilincine var\u0131rken; zerrenin ne kadar b\u00fcy\u00fck ve ilahi bir hakikati i\u00e7erdi\u011fini de bilir hale geliyoruz.<\/p>\n

Yazar\u0131n kendi a\u011fz\u0131ndan, kitab\u0131n a\u00e7\u0131l\u0131m\u0131n\u0131 \u015f\u00f6yle \u00f6zetleyebiliriz;<\/p>\n

\u201cBile\u015fik sistemin b\u00fct\u00fcnl\u00fck\u00e7\u00fc bir \u00f6zelli\u011fi olan kuantum dolan\u0131kl\u0131k kavram\u0131n\u0131n \u00fczerine yap\u0131land\u0131r\u0131lan roman, paralel d\u00fcnyalar\u0131n varl\u0131\u011f\u0131na dair \u00e7ok boyutlu bir anlat\u0131 \u00e7abas\u0131 olup, yeni bir D\u00fcnyaya ge\u00e7i\u015fin b\u00fct\u00fcnsel \u015fifas\u0131n\u0131 ama\u00e7lamaktad\u0131r. Kitab\u0131n son fasik\u00fcl\u00fc ise (anlat\u0131c\u0131 taraf\u0131ndan gri sayfalar olarak tan\u0131mlanan b\u00f6l\u00fcm) okuyucuyu bu ser\u00fcvenden, evlerindeki g\u00fcncel ve standart konumlar\u0131na sa\u011fl\u0131cakla d\u00f6nebilmelerini sa\u011flamak ad\u0131na, sevip sayd\u0131klar\u0131 bilim, felsefe insanlar\u0131n\u0131n beyanlar\u0131ndan olu\u015fan bir manifesto sunar. Dikkatli bir okuyucu asl\u0131nda bu kitapta sunulan ve \u015fimdi fantastik gelen t\u00fcm bu olay \u00f6rg\u00fcs\u00fcn\u00fcn d\u00fcnyan\u0131n ka\u00e7\u0131n\u0131lmaz kaderi olarak bilim, felsefe ve teoloji taraf\u0131ndan \u00f6ng\u00f6r\u00fclmekte oldu\u011funu fark edebilir.\u201d<\/p><\/blockquote>\n

\u0130\u015fte bazen bir yazar t\u00fcm bunlar\u0131 evimizin i\u00e7ine kadar ta\u015f\u0131maya arac\u0131 oluyor.<\/p>\n

Keyifli okumalar.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sibel Atasoy\u2019un \u201cLaniakea\u201d ad\u0131n\u0131 verdi\u011fi yeni roman\u0131; Cinius Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kt\u0131. Kitab\u0131n en \u00f6nemli \u00f6zelliklerinden biri gelece\u011fe y\u00f6nelik yeni bir D\u00fcnya\u2019n\u0131n penceresini aralarken, gerek anlat\u0131m dili, gerek olay dinamikleriyle geni\u015f bir ya\u015f yelpazesindeki okuyucuya sesleniyor olmas\u0131. Alan W.Watts\u2019\u0131n; Asl\u0131nda ‘d\u00fcnyaya gelmek’ de\u011fil yapt\u0131\u011f\u0131m\u0131z, d\u00fcnyadan \u00e7\u0131kmak: T\u0131pk\u0131 yapraklar\u0131n a\u011fa\u00e7tan \u00e7\u0131kmas\u0131 gibi. Okyanus nas\u0131l ‘dalgalan\u0131rsa’, evren de ‘insanlan\u0131r’, […]<\/p>\n","protected":false},"author":1,"featured_media":56012,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8815],"tags":[9204,234,9191,8841,10282,9341],"class_list":{"0":"post-56006","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-kitap-tanitimi","8":"tag-bilim-kurgu","9":"tag-cinius-yayinlari","10":"tag-fantastik-kitaplar","11":"tag-kitap-tanitimi","12":"tag-laniakea","13":"tag-sibel-atasoy","14":"kose_yazari-feryal-cevikoz"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/56006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/comments?post=56006"}],"version-history":[{"count":0,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/posts\/56006\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media\/56012"}],"wp:attachment":[{"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/media?parent=56006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/categories?post=56006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kayiprihtim.org\/portal\/wp-json\/wp\/v2\/tags?post=56006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}